Robert King, Felicity Baker & Philip Neilsen
Chapter I: Introduction
A Theoretical Framework for Creative Arts in Recovery
A Note on the Evidence Base for Creative Arts in Recovery
What You Will Find in this Book
Robert King, Jon Scott & Jane Boggs
Chapter II: Lived experience: writing and recovery
Robert King, Patricia Strobel, Tom O’Brien & Ann Bermingham
Chapter III: Lived experience: visual art and music in recovery
Clare Edwards, Tom O'Brien & Robert King
Chapter IV: Visual arts: principles and evidence base
Sandra Drabant & Robert King
Chapter V: Visual arts: multidisciplinary day program in practice for young people with severe mental health problems
The Mater Child and Youth Mental Health Service (CYMHS) Day Program
Jack’s Story and Art Therapy Assessment
Chapter VI: Visual arts: the place of the art exhibition in mental health recovery
The Art Exhibition – What Are We Talking About?
The Realisation of the Art Show
The Social Nature of the Art Show – Being Part of a Collaborative Event
The Relationship Between Exhibiting Art and Identity Development in Mental Health Context
The Purpose of the Art Show for the Recovery Community Network
Recommendations for Staging an Art Show in the Mental Health Recovery Context
Philip Neilsen
Chapter VII: Creative writing: literature review and evidence-based research
Creative Writing – Definition
Theoretical Frameworks and Explanatory Models
Commentary on Theoretical Frameworks
Philip Neilsen & Robert King
Chapter VIII: Creative writing: a practice-based account of designing and facilitating life-writing workshops for a group with severe mental illness
Materials and Methods, Participants and Setting
Preparation For and Delivery of the Workshops
Claire Stephensen & Felicity A Baker
Chapter IX: Music therapy and mental health recovery: what is the evidence?
Music Therapy Methods in Recovery
Music Therapy Approaches in Research and Practice
Katherine Aitchison
Chapter X: Music: the Interface of music therapy and psychotherapy with adolescents in a hospital-based, consultation-liaison mental health service: eclecticism in action
Music Therapy and the Question of Orientation
Evidence for the Efficacy of Music Therapy in Child and Youth Mental Health
Eclecticism: An Integrated Approach
Therapeutic Songwriting with Adolescents
Fostering Understanding: A Psychodynamic Approach
Offering Acceptance: A Humanistic Approach
Facilitating Development: A Behavioural/Cognitive-Behavioural Approach
Anne Margrethe Melsom & Jill Comins
Chapter XI: A dance/movement therapy recovery model: engagement in stages of change
Introduction: Dance/Movement Therapy in Recovery-Oriented Systems of Care
A Proposed Dance/Movement Therapy RECOVERY Model
Use of the Therapist-Self within the Dance/Movement Therapy RECOVERY Model
Emergence of the Dance/Movement Therapy RECOVERY Model
Stages of Change and Dance/Movement Therapy: An Integrative Conceptualisation
Integrative Conclusions: Stages of Change and the DMT RECOVERY Model
Applications of the Dance/Movement Therapy RECOVERY Model
Sherry W. Goodill
Chapter XII: The evidence base for dance/movement therapy in mental health: moving the body of knowledge
Systematic Review and Meta-Analyses
Levels of Evidence and Example Studies
Summary of Evidence for DMT
Andrea Baldwin
Chapter XIII: Applied theatre for mental health: literature review and evidence-based research
Forms of Drama Practice in Relation to Mental Health
Drama as Social Experience
Drama as Therapy: Psychodrama and Drama Therapy
The Difference Between Drama as Therapy and Drama as Social Experience
How Does Participation in Drama Support Recovery?
Evidence of Effectiveness: How Participation in Drama Supports Recovery
Andrea Baldwin
Chapter XIV: Respect yourself drama education program in practice
Digital storytelling for the self-advocacy of marginalised identities: theory and practice
Narrative Practice and Empowerment